Jet lee and jackie chan film
However, the new project will feature an original script about a modern-day, kung fu-obsessed teenager who is transported to ancient China after discovering an artifact from the Monkey King in a pawn shop. His creative team includes cinematographer Peter Pau, best known for his Oscar-winning work on Crouching Tiger, Hidden Dragon, and famous fight choreographer Yuen Woo Ping, whose credits include Crouching Tiger, the two Kill Bill movies, the Matrix trilogy and recent kung fu classics such as Once Upon a Time in China, Drunken Master and Iron Monkey.Īs long rumoured online by fans of both Chan and Li, the newmovie is inspired by the ancient Chinese legend of the Monkey King, told in the 16th centurynovel Journey to the West. Rob Minkoff, who previously helmed family-friendly titles such as The Lion King, Stuart Little and The Haunted Mansion, is slated to direct. The previously unnamed action epic will be titled The Forbidden Kingdom and begin filming in China in May, according to distributor Lionsgate, which is teaming up with the Weinstein Co. I'm heading back to Ozu and Mizoguchi.The North American distributors behind the upcoming onscreen pairing of action stars Jackie Chan and Jet Li have revealed more details of the highly anticipated film. And America's restrictive laws about stunts and insurance tend to put a ceiling on one's expectations, as do rapid editing and CGI, which conceal rather than reveal.Īll of these shortcomings, and a wearisome sense of over-familiarity, are fully on parade in Ninja Assassin, so I'm all through with this genre, thanks. I love action the way I love the musicals with which they share so much, but I also need depth of character, not mere ciphers of invincibility, and narratives I can sink my teeth into to cradle the staggeringly inventive fight sequences. It may have happened midway through Kill Bill Vol 1 (also co-ordinated by Yuen Woo-ping) when I found that, incredibly for a gore-hound such as I, there was a limit to the number of blood-spurting neck wounds I could handle on any given working day. So the intermingling process between eastern and western film-making processes has been intensive and thorough, but I've had enough.
JET LEE AND JACKIE CHAN FILM MOVIE
Ninja Assassin, which is filled with Asian and Asian-American actors, feels for all the world like a Hong Kong movie but was in fact produced by The Matrix's Wachowski brothers, and directed by their longtime second-unit shot-caller, James McTeigue. He also worked up the fights in the US-made The Forbidden Kingdom, with Jet Li and Jackie Chan, the latter of whom finally broke through to American audiences in the late 1990s, having spent the previous 15 years trying from the Hong Kong end. Ang Lee took Hong Kong-style action all the way to a Best Picture Oscar nomination in 2000 with Crouching Tiger, Hidden Dragon, whose action choreographer Yuen Woo-ping ended up combat-coordinating the heavily Hong Kong-influenced Matrix trilogy. John Woo knocked out a couple of fabulous movies in Tinseltown, and before he headed back home he established a template for importing the dizzyingly kinetic values of Hong Kong cinema into the moribund American action-movie. The epic siege of Hollywood by Hong Kong action film-makers has long since paid off. However, I've arrived at a place now where I find that 10 minutes of this is just about enough for my needs, and soon thereafter my mind starts to think about quotidian banalities like picking up my dry-cleaning.
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Somewhere in the middle of Ninja Assassin, I realised I was finally fed up with Asian action movies and their Hollywood derivatives.ĭon't get me wrong though, Ninja Assassin does deliver the basic goods one expects from an amped-up, methamphetamine-fuelled modern martial arts movie: in the opening sequence alone several people get their heads slashed in two, so I got my blood'n'brains-related jollies, and then some.